Reviews for "Chronicles of Dysphoria"

Chalice -
Chronicles of Dysphoria Review by Sulphur

Monster's world of Metal
"Chronicles of Dysphoria"


Nordic Vision
Issue 17
reviewed by Melankol

CHALICE
"Chronicles of Dysphoria"
Modern Invasion Music
Clearly beautiful and emotional Metal, with likewise beautiful female vocals. Balanced and dreamlike, going in the line of Theatre of Tragedy when they still had Kari as the vocalist, though still maintaining their own identity. So basically, to sum it up in a hurry, beautiful music for those who enjoy that, while those who are into Metal for the aggression and power will starve.

Terrorizer, Issue 83, October 2000.
Reviewed by Chris Chantler

CHALICE
'Chronicles of Dysphoria'
MODERN INVASION
Australia's Chalice are at pains to acknowledge early Third and the Mortal as their very raison d'etre, and indeed 'Chronicles of Dysphoria' is the perfect album for anyone who thinks the Norwegians went 'a bit weird' after 'Tears Laid in Earth'. Shiralee's angelic, keening vocals do float eerily close to Kari's throughout, but there is perhaps a more metallic urgency at work here; some extensive, ferocious guitar solos punctuate 'Amber Twilight', and 'Memorial Embers' even kicks into a proper metal gallop. More emphasis is placed on the violin too, lending several passages a 'Turn Loose the Swans'-ish quality.

As a result this album can seem derivative and a little dated at times (its, like, sooo mid-nineties...), but Chalice do offer some beautiful songs of their own which enchant and delight in their own right. The musicianship is flawless and the balance of instrumentation perfect, with no single aspect of the sound coming to dominate, all just swirling together into an impressively cohesive mass.
This is altogether more than just an engaging pastiche; it nails the influences they wear on their frilly sleeves with satisfying accuracy. An altogether sumptuous experience.

[8] Chris Chantler

CHALICE
Chronicles of Dysphoria
(Modern Invasion)

I didn't receive a promo of this album, but it was just so good I wanted to review it anyway.  Calling Australia home, this quartet makes a truly enchanting brand of ethereal doom metal.  With a sound that blends heavy riffs with folk melodies, violin, and keyboards, Chalice tread familiar territory yet give it a whole new spin, creating some incredibly memorable tunes in the process.


Opener "Solitary Waves" is a great example of Chalice's style.  Starting with a beautiful piano melody, the violin and drums creep in, followed by Shiralee's incredibly sweet vocals.  This woman has an incredible voice and is apparently the key songwriter in the band and it shows, with her vocal lines blending seamlessly with the rest of the instrumentation.  She has quite the range, as well, hitting some amazing high notes from time to time.  Many of the tracks have a very romantic, medieval folk flavor, giving a nod towards Rainbow as much as their more modern gothic/doom brethren.  "The Amber Twilight" for example is an incredible delight, where the listener can focus on the vocal melody, the guitar riffs or the violin and be equally enthralled with each.

People will likely want to draw comparisons to bands like 3rd and the Mortal and The Gathering, but Chalice really do stand apart from the crowd with their own sound.  There is a stronger sense of classical melody in Chalice's sound and Shiralee's voice is in a league of its own, at once delicate and incredibly substantial.

Finding fault with this album is tough.  The songs are all pretty lengthy, but they sound complete rather than long.  The recording is crisp and clear and the performances are stellar, both from a technical and an emotional stance.  I will be amazed if someone doesn't pick this disc up for a Stateside release soon - one of the best debuts I've heard in ages and one of the best albums of 2000, hands down. 
More info: http://www.thechaliceroadie.cjb.net/
[Daniel Hinds]


Chronicles of Dysphoria from PRIMAL AGONY ZINE

Before I actually got this CD I had heard good things about Chalice. Without having ever heard them before this I had read the comparisons between them and bands like '3rd And The Mortal' and 'Theatre Of Tragedy'. With that idea of a sound in my head I had a a fair idea what to expect and wasn't misled.
With the operatic style lead vocals of Shiralee (who also formed the band) being the main focus, the album weaves it's way through 47 minutes over 7 tracks of Gothic/Doom Metal that generally tends to stay at a fairly slow to mid paced range. For me the track 'The Amber Twlight', all 9 minutes of it is the highlight of the album. It twists and turns from the very calm opening to the more up tempo and probably heaviest parts of the album. Working in the lead guitar, violin, keyboards and a slightly less operatic vocal approach it all combines perfectly to create a powerful well rounded song with loads of melody.
This song alone shows a band with a promising future especially in the European market if luck is on their side. As a whole this album is excellent although some songs do blend into the next a little bit to closely at times.
I can understand that something this laid back generally will not appeal to everyone, but for those of you who are looking for that something extra in your metal for the mellow moments, this is quality you can't go past. The album was actually released mid 2000 and judging by the high standard of tracks and production this delivers, the soon to be released follow up album from this Aussie Goth/Doom band should be one worth getting your ears around, just like this album is.
Ian Busch
http://home.iprimus.com.au/faymax/cdreviews8.html#8


CHALICE
"Chronicles Of Dysphoria"
Modern Invasion Records
rating: 5,5 of 6


You know what? Love me or hate me, but I definitely get high on this kind of music, tranquil and dreamy, serene and melancholic, beautiful yet somewhat sorrowful gothic metal (?), featuring a girl with tremendously enchanting voice. Actually, it's quite strange to see this kind of band emerging from Australia, however if we have christian black metal, why can't we have CHALICE? Generally speaking, this one reminds me a lot of "Spindelsinn", the CD Kari Rueslatten made her solo debut with, as well as "Turn Loose The Swans" and "The Angel And The Dark River" by MY DYING BRIDE. Unfortunately, Shiralee's voice is not as bewitching as Kari's, however being supplemented by tremendous guitar passages and leads, as well as truly enrapturing sounds of violin, we get undoubtedly "watch out for!" kind of CD. HIGHLY recommended.
(Herr Stalhammar)
http://www.rusmetal.ru/vae_solis/reviewsdoomxiii.html

http://www.gnosiszine.com/
Chalice - Chronicles of Dysphoria (2000)

Modern Invasion

Reviewed by Sulphur
'Atmospheric and Diverse'

In reality, Chalice bring nothing really new or innovative to gothic doom. This is not to say, that there's anything wrong with the music presented on 'Chronicles of Dysphoria'. Chalice come from my local sleepy town of Adelaide, and having seen them live once, they have a very strong sound, a lot of conviction in their works, and a vast amount of musical talent.

The music follows deep guitar riffs that lay out the main melodies, being accompanied by keyboard and flute, and the occasional violin. Vocalist Shiralee also plays the synths, and the integration of all instruments, including her voice, into powerful melodic patterns is done particularly well. The melodies are strong and ethereal, and its the use of strong guitar leads and complex pattern's at times, that really adds that special touch to their sound.

I must admit that I don't listen to this genre too much, but what Chalice produce I can easily absorb and get something out of, this is not to say that their music is in anyway simple, if maybe limited by the genre they are in. A strong effort and its incredible to see a band from here, making a mark on the world with this talented effort.


http://www.thegrimoire.com/issue23.htm
Chalice - Chronicles of Dysphoria (Modern Invasion)
Holy disappointment, Batman! I had been hearing for months about how this band has really cool female operatic vocals and I finally find out that it’s nothing more than some annoying bitch who can’t sing a single note. She’s just talk-singing, and she keeps going off key. It’s almost funny how bad her “performance” is. There is no intensity at all. I was going to hold back on the insults, but then I saw how ugly the hag was and I decided that since Darwinism didn’t kill off her parents that the least I should do is prevent her from being categorized as a “girl” because there is nothing feminine about her at all, and that includes her voice. The music is not doomy at all. As if the vocals were not annoying enough, the keyboard just fries my nerves with all the goofy settings. Don’t believe the advertisement, there is no doom nor female vocals.
L Metal Monster


Chalice "Chronicles of Dysphoria"
Distribution : System Shock 2001
Durée : : 47', 7 pistes
Site : -

Chronique :

L'Australie métallique se réveille ces derniers temps, après nous avoir balancé Avrigus, voici Chalice. Au programme, métal gothique lent et chargé d'atmosphères, où la douceur prime. Attention je n'ai pas dit " mou ", mais les excités de la double grosse caisse et des riffs syncopés peuvent passer leur chemin. Pas de grognements abyssaux ici, place à la voix angélique de la sémillante et très gothique Sheralee, qui alterne à merveille les vocaux soprano et plus pop (non, ce n'est pas péjoratif !). Au fil de ses mélodies subtiles, Chalice vous emmène dans son univers sombre et enchanteur à la fois ; les claviers et le piano règnent en maîtres ici, les guitares sont entièrement à leur service. Quant aux influences, elles se situent principalement entre Within Temptation, The Sins Of Thy Beloved, auxquels ils empruntent le violon, et Loreena Mac Kennitt pour les touches celtiques. " Chronicles of Dysphoria " est également susceptible de faire de l'œil (et de l'oreille) aux fans de Theatre of Tragedy déçus par l'orientation électro du groupe. Chalice est peut-être encore un de ces " groupes à chanteuse ", mais c'en est un bon, alors ne soyons pas machos et souhaitons leur la bienvenue.

Hellric

Appréciation :
Musique : 4/5
Production : 3/5
Présentation/booklet : 3/5